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Offenbach: Barbe-Bleue (2019)
Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.
The Land of Smiles (1974)
Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.
Natalka Poltavka (1936)
The trials and tribulations of Natalka and Petro. The sweethearts plan to get married, however, Natalka's father does not approve of the marriage because Petro's not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune. With no news from Petro for five years, Natalka succumbs to her mother's wishes and finally accepts her next offer of marriage, which happens to come from an old, but relatively wealthy government official.
The Merry Widow (2001)
Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.
Gräfin Mariza (1925)
A Hungarian countess, wanting to dissuade unwanted suitors, announces her engagement to a fictional count Zsupán. Things go awry when a count Zsupán shows up, having heard of his engagement in the papers.
Where the Lark Sings (1936)
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.
Bluebeard (1984)
When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
Bride of the Regiment (1930)
As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.
Up in Central Park (1948)
A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.
The Desert Song (1929)
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
Natalka Poltavka (1978)
An iconic Ukrainian play of the same name meets TV.
Song of the West (1930)
Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.
The Blue from the Sky (1932)
Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.
Orpheus in the Underworld (1974)
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.