VH1 uncovers the frightening allure and danger of skinhead rock, a key recruitment tool in the U.S. white power movement. You'll hear from the bands and their fans, and learn the remarkable story of George Burdi, a hate rock pioneer who now plays in a multicultural band in Toronto. We'll also examine the rock against racism movement, revealing a battle for the hearts and minds of young music fans.
Lynx GaedeHerselfLamb GaedeHerselfApril GaedeHerself
William Luther PierceHimself
One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of his new rock palace, the Paradise.
Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
"COMPLEXion is a documentary that aims to unpack the hegemony of skin color globally and challenge the archaic notions that exist surrounding it. Our mission is to defy toxic beauty standards through raw human stories."
Chronicles the rise and fall of legendary blues singer Billie Holiday, beginning with her traumatic youth. The story depicts her early attempts at a singing career and her eventual rise to stardom, as well as her difficult relationship with Louis McKay, her boyfriend and manager. Casting a shadow over even Holiday's brightest moments is the vocalist's severe drug addiction, which threatens to end both her career and her life.
This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.
The extraordinary work of the American artist Philip Guston is a milestone in modern painting. Guston is one of the most discussed painters of his time and today a star of the younger generation of contemporary artists. ARTE is showing the documentary on the occasion of the major Guston retrospective at the Tate Modern in London.
End of an Era is a concert from Finnish symphonic metal band Nightwish at the Hartwall Arena in Helsinki, Finland, on 21 October 2005, the final concert of a long worldwide tour for their album Once. During the concert the band was joined on-stage by John Two-Hawks, who performed "Stone People" from his album Honor as an introduction to "Creek Mary's Blood", which featured his voice and cedar flutes. End of an Era is the final Nightwish production to feature Tarja Turunen on vocals. She was dismissed by a letter after this concert. In addition to original Nightwish songs, three significant covers appear, their known cover of Gary Moore's "Over the Hills and Far Away", Andrew Lloyd Webber's "The Phantom of the Opera", and a cover of Pink Floyd's "High Hopes". The running time of the concert is 1 hour and 43 minutes. It also contains a 55-minute documentary about the fifteen days prior to the concert, A Day Before Tomorrow, and a photo gallery.
The documentary Schwarze Adler (Black Eagles) lets black players of the German national football team tell their personal stories for the first time. What road did they take before they got to where we cheer for them? What hurdles did they have to overcome? What prejudices and racist hostility were they exposed to – and what was it like in the past, what is it like today?
Music from Dire Straits, recorded live in concert in 1991. Tracks include: "Calling Elvis", "Walk Of Life", "Heavy Fuel", "Romeo And Juliet", "Private Investigations", "Your Latest Trick", "On Every Street", "You And Your Friend", "Money For Nothing", "The Bug", "Solid Rock", "Local Hero", "Wild Theme" and "Brothers In Arms".
A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.
This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.
Status Quo's album "Pictures" (released in November 2008) celebrated 40 years of Status Quo filling the UK charts with hit after hit. The album was an instant success, charting at No.8 and selling over a quarter of a million copies in the UK alone. In July 2009 the Pictures live tour landed at Montreux in Switzerland as part of the world famous festival.
An analysis of the rise of the European far-right, increasingly present in both politics and everyday life: an inquisitive journey through France, Germany and Belgium.
After serving time for manslaughter, young Vince Everett becomes a teenage rock star.