The Shop at Sly Corner (1946)
A shrewd ex-prisoner runs a successful antique shop -- until his assistant discovers the collectibles are stolen goods and begins blackmailing him.
A shrewd ex-prisoner runs a successful antique shop -- until his assistant discovers the collectibles are stolen goods and begins blackmailing him.
Kenneth KentDescius Heiss
Kenneth GriffithArchie Fellowes
Jean ColinMargaret Heiss
Viola LyelMathilde Heiss
Deryck GuylerJohn Elliot
A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.
Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

The last vestiges of a family that has gone from cherry season to sorrow... Madame Ranevskaya is a spoiled, aging aristocrat who, upon returning from a trip to Paris, must face the loss of her magnificent Cherry Orchard estate after defaulting on her mortgage. In denial, she continues to live in the past, deluding herself and her family, while the magnificent cherry trees are chopped down by the new owner Lopakhin, her former serf, who has his own agenda.

Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.
A staging of Florian Zeller's play "The Father" by Ladislas Chollat.
Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.
An aging Southern Belle makes life horrible for her ambitious son and crippled daughter because of her dreams of what life should be.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.
The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E may be the key of true friendship, but it is Mozart that pushes them apart.

Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.
Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.

A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.
On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.
Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

Unabridged production of Goethe's Faust Ⅰ by Peter Stein's Faust Project.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.