Top billed cast
- Antonín Jahoda
- Milada Horová
- Jarmila Novobilská
- Věra Konečná
- Otakar Pavlis
- Jiří Čada
- Ladislav Kramosil
- Jaroslav Vojtěchovský
- Josef Bourek
- Eva Kostolányiová
Similar to Mamselle Nitouche
The Knight of the Rose (1925)
The story: While her husband is becoming famous in the war, the marshal of Werdenberg's wife consoles herself in the arms of the youngster Octavian and tries to arrange the love affairs of her cousin, the baron Ochs, by presenting him to young Sophie. This baron is taken with her and the Marschallin proposes Octavian to be his "Rosenkavalier" in order to present the traditional silver rose to his fiancée. But youngsters are youngsters and sex hormones hold sway over the whole world so for that reason immediately Octavian and Sophie fall in love with each other…
Under the Roofs of Montmartre (1975)
A story of three struggling artists: a painter, a poet, and a composer, living in a bohemian Montmartre district of Paris. They help a poor flower girl, Violette, to find shelter, when she is thrown out by her landlord.
Miss Venus (1921)
Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.
The Desert Song (1955)
Live television version of the classic musical.
Ruddigore (1967)
The Baronet of Ruddigore, Sir Despard Murgatroyd, has inherited a family curse which forces him to commit a crime every day — or die in agony. He hates the curse, doing his heinous misdeeds as early as possible and good works for the rest of the day to compensate!
The Desert Song (1929)
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
The Little King (2016)
Emmerich Kálmán’s THE LITTLE KING (The Ohio Light Opera, 2014 Summer Festival – DVD) Inspired by the love affair of famed French singer-actress Gaby Deslys and Portugal’s King Manuel II, who at age 20 was forced into exile, the plotline of The Little King concerns a boyish monarch who falls hard for a visiting opera singer, unaware that she is the daughter of a revolutionary and plotting his assassination. During her visit to his palace, she has a bomb planted in a bouquet of roses that she has ordered for the king. Only at the last second, when she can no longer resist his charms, does she discreetly defuse the bomb. Their almost-explosive love affair blossoms.
Eine Nacht in Venedig (1974)
Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.
Die Fledermaus (1972)
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.
Eine Nacht in Venedig (2015)
The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.
Silva (1981)
Silva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promissory note of his expected marriage to Silva within ten weeks.
Maritza (1985)
A young and wealthy widow, Maritsa, is a tempting prize for fortune hunters in search of a rich bride. To scare off all the suitors once and for all, Maritsa randomly invents a fiancé’s name. But it turns out that a man with that exact name actually exists—and now he’s happily rushing to meet his “bride.”
Die Fledermaus (1990)
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
Females At Play (1945)
A musical comedy about Kalle Svensson, a sergeant in the navy, and his loved one Nanette Raquette who works as a gymnastics teacher.
Where the Lark Sings (1936)
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.