Delhi Durbar Dawns (1912)
Dignitaries including the Nizam of Hyderabad gather to celebrate the Durbar in honour of George V, who arrives by boat in Bombay.
Similar to Delhi Durbar Dawns
A Punjab Village (1925)
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
Pariah Dog (2019)
Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.
The Kumbha Mela: Same As It Ever Was
This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.
Our King Emperor and Queen Empress Hold a Durbar in Delhi (1912)
King George V and Queen Mary hold ceremonial court in Delhi.
Delhi (1938)
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
Machines (2017)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
India: Kingdom of the Tiger (2002)
Journey across India, a breath taking land shaped by a myriad of cultures, customs and traditions. Come face to face with the Bengal Tiger and explore the work of this majestic creature with stunning clarity. Soar over blue-hazed Himalayan peaks and sweep down towards the thundering Indian Ocean as we celebrate the power and beauty of India's greatest ambassador - the mighty Bengal Tiger.
Fascinating India (2014)
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
Leopard Dynasty – The Rise of Rana (2025)
Jhalana’s refuge, India's urban leopard habitat, is controlled by the strong and experienced Bahadur. But his dominance is being challenged – by his son, Rana! Once a quiet youngster, Rana has grown into an ambitious young male. But in the animal kingdom, power is not inherited – it is fought for with strength and persistence. Rana is not content with just securing his place; he wants more. To fulfill his ambitions, he forms a bond with one of his father's females, and what begins as a simple interaction soon turns into a powerful partnership. The aging Bahadur has held his territory for six years and will not tolerate his son's claim. Rana faces a decision: retreat or fight. But Rana follows his instincts.
Wild Karnataka (2019)
An unprecedented UHD film on Karnataka's rich biodiversity narrated by David Attenborough. Portraying the state with highest number of tigers and elephants using the latest technology - a masterpiece showcasing the state, its flora, fauna.
James Bond in India (1983)
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
One Ticket Please (2017)
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
Ganga (1975)
Documentary on the river Ganges.
Dwarka: The Atlantis of the East (2013)
Ancient Explorer, Amish Shah travels to the west coast of India in search of an ancient submerged city. With a passion for the truth, he stumbles into a cover up and in this film, he goes public with what he found.
Ladakh (1943)
A stunning trek from the vale of Kashmir, via Sind Valley and Kargil and Lamayaru Monastry.
Palna's Daughters (2007)
A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.
An Indian Day (1968)
Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.
Mati Manas (1985)
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
