The Mime (2023)
While rehearsing on stage, a mime notices that he can create objects from his past and is therefore confronted with a long-repressed memory.
While rehearsing on stage, a mime notices that he can create objects from his past and is therefore confronted with a long-repressed memory.
Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.
A withdrawn war veteran seen as peculiar by the local villagers lives and brings up his child, the only thing that gives his life meaning.
Lillian Hall, a Broadway actress, has never missed a performance throughout her long, illustrious career. Yet in the rehearsals her confidence is challenged. People and events conspire to take away her ability to do what she loves most.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?
In autumn 1944, during the Liberation of Brittany, writer Louis Guilloux worked as an interpreter for the American army. He was a privileged witness to some little-known dramatic aspects of the Liberation: the rapes and murders committed by GIs on French civilians. He also discovered the racism of American military justice. This experience haunted the novelist for thirty years. In 1976, he recounted it in a short novel, "Ok, Joe", which went unnoticed. This film compares his account with the memories of the last witnesses to these forgotten crimes and their punishments.
As young children, half-siblings Axel and Yanne are adopted to Norway. They are separated on arrival, him to material wealth on Oslo's west side, her to an average family on the east side. In contrast to her younger brother, Yanne remembers their journey to Norway, but she has no idea where he might be now.
Jay Reddy, a college freshman, struggles to live with his newfound sobriety. A chance run-in with an old friend and a conflict with two pranksters threatens Jay's newfound sobriety.
The story of Nina, a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica who zealously supports her daughter's professional ambition. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, Swan Lake, Nina is his first choice.
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
Egocentric stage actor Marcin has to face the unexpected breakdown of a long-term relationship. During three different performances, fantasy mixes with the prose of the life of a separating couple.
The story of Nina, a young woman who dreams of glory and whose dream turns into a nightmare. The story of Treplev, a young poet crushed by an invasive mother, who wants to prove to the world that he exists, that he deserves to be loved. Chekhov invites us to witness a moment in the lives of individuals who have made a choice, and will have to live with the consequences...
A Channel Four special presentation of the Royal Court Theatre 1989 production, London. with Paul Bhattacharjee, Nabil Shaban and Fiona Victory. "Iranian Nights" was a play written and produced as a direct response by writers and artists to the notorious Feb 14 1989 Fatwa (a sentence of death) from Iran's leader, Ayatollah Khomeini, placed on Salman Rushdie for his novel "The Satanic Verses", regarded by fundamentalist Muslims as blasphemous.
"Razakar" is a period drama set in pre-Bangladesh-separation Pakistan, exploring the political tensions of the time. The story follows Jamal, an aspiring Bengali actor, as he grapples with the challenges posed by his uncompromising director, mirroring the larger socio-political conflicts unfolding around them. Through personal struggles and political subtext, the film raises poignant questions about identity and division.