
The Night Boots (2024)
The forest can be full of scary creatures, Eliot’s parents caution, but the mystery might be too tempting for a kid who doesn’t want to go to bed.

The forest can be full of scary creatures, Eliot’s parents caution, but the mystery might be too tempting for a kid who doesn’t want to go to bed.

In this non-narrative animated film inspired by composer François Couperin's harpsichord composition "Barricades mystérieuses," Jacques Drouin explores a whole new way of using the pinscreen to create animated images. He pivots the screen and uses low-angled light to capture images in high relief. The result is like a sculpture whose expertly modelled forms are revealed through film. A film without words.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

This abstract yet compelling philosophical tale uses the Alexeïeff-Parker pinscreen as a metaphor for the particles that make up the universe. Through 4 tableaux that explore her character’s thoughts, filmmaker Michèle Lemieux takes a look at the profound reflections of this everyman, whose questions are part of humanity’s eternal quest for meaning.

In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.
This short animated film follows Antoine, a young boy fascinated by his mysterious neighbour, a man rumoured to have once been a big game hunter. Antoine is eager to learn about hunting, but the lesson he learns from the wise older man is not at all what he had expected: Antoine is left with a profound reverence for life.
When a man becomes blind, his life is all turned around. He can only use his touch to get around in his house. The objects become enemies. But an angel is looking over him.
Utilising the Alexeïeff-Parker pinscreen technique, this visually poetic non-narrative film revisits Diego Vélasquez’s 1652 portrait of Queen Mariana of Austria with genuine feeling.

The story of a young boy and his father, both of whom are enlisted to fight in the war. The boy's pride soon turns to fear as the bullets whistle overhead. His father takes his place and is immediately shot and killed. Horrified, the boy understands that war is not a game.
Animated short film made in three parts on the pin screen by Alexeieff-Parker. With these three exercises, director Jacques Drouin experiments with the play of light and shadow alone. Original, this experience presents us with a reality that is not truncated although it may appear as follows: the faculty of wonder will be able to create the necessary link between everyday life and the way it was rendered.
This documentary is a portrait of the animator of Le Paysagiste, from his childhood in Eastern Quebec to his career at the NFB. Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974. Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. Enriched with numerous excerpts and unpublished images from the filmmaker's personal archives, Jacques Drouin en relief is both the adventure of a lifetime and a valuable lesson in cinema.
When immersed in the contours swelling and waning in the forest of needles, the mundane world drifts away, and we only live to breathe.

Two teams, quite different by their techniques, meet in a hockey match.
Snow Moon: Cinderella Chronicles Saga is a fantasy/adventure novel to film series. Snow Moon the movie, the first in their four part saga Cinderella Chronicles.

An old donkey resolves to break away from the unbearable hardships of working for a fat miller. By and by, he recruits three more unsatisfied animals and convinces them to accompany him on his way to Bremen where they want to become musicians.

Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
Drawing surprising connections between market methods and CIA torture techniques developed in the 1950s, the film explores how well-known events of the recent past have been theaters for the shock doctrine, from Pinochet's coup in Chile, to the Tiananmen Square Massacre, to the war in Iraq today.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.