Top billed cast
MadonnaSelf (archive footage)
Robin LeachSelf - Host
Camille BarboneSelf
Salim GauwloosSelf
Bob GuccioneSelf
Similar to Madonna Exposed
Elis Regina: Doce de Pimenta (2007)
She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.

The Heat Is On: The Making of Miss Saigon (1989)
A behind-the-scenes look at the putting on of the successful West End stage musical, including footage of the cast rehearsing and the triumphant first night.

Tell Me Lies (1968)
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Rhythm is it! (2004)
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Madonna: Truth or Dare (1991)
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Dig! (2004)
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
Bob Dylan - TV Live & Rare 1963 - 1975 (2004)
Music DVD with rare live and TV performances from the period 1963-1975.

Wattstax (1973)
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

Rize (2005)
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

Show of Titles (2021)
An evening of celebrated stars performing the titles songs from Broadway’s best.
Jammin': Jelly Roll Morton on Broadway (1992)
A behind the scenes look at the Broadway production of Jelly's Last Jam, including a tribute to jazz musician and composer Jelly Roll Morton. Gregory Hines and George C. Wolfe, who wrote the book for Jelly's Last Jam, are interviewed. Includes scenes from the show.
UK/DK: A Film About Punks and Skinheads (1983)
Featuring interviews, live concert footage, and a feature on how punk was transformed from a trend to a way of life, UK/DK is a comprehensive look at the skinhead/punk movement. Some of the most notorious bands on the scene are featured, including The Exploited, The Vice Squad, The Adicts and many more.

Dead Kennedys: DMPO's on Broadway (1985)
This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

Dead Kennedys: The Early Years Live (1987)
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

Instrument (1999)
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.