A behind the scenes look at the Broadway production of Jelly's Last Jam, including a tribute to jazz musician and composer Jelly Roll Morton. Gregory Hines and George C. Wolfe, who wrote the book for Jelly's Last Jam, are interviewed. Includes scenes from the show.
Gregory HinesHimself
Tonya PinkinsHerself
Denzel WashingtonNarrator
George C. WolfeHimself
Melissa HaizlipHerself
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Last seen in the West End 15 years ago, Miss Saigon has become one of the most successful musicals in history, seen by 40 million people worldwide. From the process of casting 40 actors from 18 different countries, to the reinvention of the staging, including the famous helicopter scene, The Heat is Back On takes us on a journey through rehearsals right up to the star-studded opening night. Featuring interviews with legendary producer Cameron Mackintosh, authors Alain Boublil and Claude-Michel Schönberg and many of the award-winning cast and creative team.
Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.
In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).
She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.
A behind-the-scenes look at the putting on of the successful West End stage musical, including footage of the cast rehearsing and the triumphant first night.
The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.
A retrospective of Chita Rivera's film, television and stage career, including interviews with Dick Van Dyke, Ben Vereen, Carol Lawrence and others. Originally aired as Episode 2 of Season 43 of the PBS series Great Performances.
An evening of celebrated stars performing the titles songs from Broadway’s best.
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
Pop king Michael Jackson solidifies his title with this release of fifteen past number one hits. Songs include "Don't Stop 'Til You Get Enough," "Thriller," "Black or White," and "Blood on the Dancefloor."
Atmospheric soundtrack follows this compilation of nature footage that focuses on the ocean and various life forms that live, mate and die in it.
Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."