A documentary about the making and restoration of Alfred Hitchcock's masterpiece "Vertigo." Narrated by Roddy McDowall, with behind-the-scenes talk from Barbara Bel Geddes, Henry Bumstead, Robert A. Harris, Patricia Hitchcock, James C. Katz, Kim Novak, Peggy Robertson and Martin Scorsese. Brings fresh perspective, not just to the film and the director, but to the Fifties Hollywood as well.
Roddy McDowallNarrator (Voice)
Patricia HitchcockSelfRobert A. HarrisSelfJames C. KatzSelf
Henry BumsteadSelfHerbert ColemanSelf
Kim NovakSelf
Barbara Bel GeddesSelf
Martin ScorseseSelf
C.O. EricksonSelf
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.
This is a wonderful and revealing film about famed horror and suspense director Alfred Hitchcock. You'll see behind-the-scenes of some of his most famous films including Psycho, Rear Window, Dial M for Murder, Vertigo and many more! Containing interviews, unique production shorts, trailers, film clips, news segments, and more, this collection offers a rare look into the life and times of this man who became a Hollywood legend and the undisputed Master of Suspense!
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
A sardonic look at the dark secrets of the British Film Industry of the 1920s and 30s, where scandal and sordid behaviour was almost as rife as in Hollywood.
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
A documentary about Alfred Hitchcock's classic 1954 film Rear Window.
A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).
This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The Lady Vanishes' British context and political underpinnings and the details and techniques that undeniably make it a 'Hitchcock picture.'
Documentary short focusing on the making of Alfred Hitchcock's 1953 film I Confess.
The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s dark obsessions and techniques.
Screenwriter John Michael Hayes reminisces about his partnership with Alfred Hitchcock during the making of the classic 1954 film Rear Window.
Film director Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual "Who Done It" mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).
In Fear, documentary filmmaker Michiel van Erp creates a collage of inhabitants of the city of Amsterdam who struggle with various anxiety disorders. Today, more patients with anxiety disorders seek professional help than those who suffer from depression, making anxiety the number one mental illness in the Netherlands. This film will show how a small number of those patients attempt to overcome their fears, in order to get on with their lives in the crowded cosmopolitan city that Amsterdam is today.
When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
A nerdy film student and lifelong voyeur begins to believe that two lovely young strangers may have conspired to commit a brutal murder.
Finding an unfinished script written by Alfred Hitchcock, Martin Scorsese attempts to recreate it himself as Hitchcock would have.