Aftermath was the pilot for an unsold TV series called "The Code of Jonathan West"; it aired as part of The General Electric Theater. The film takes place just after the Civil War, in a small southern town – war-ravaged, impoverished, and seething with hatred and resentment.
Fess ParkerJonathan West
James BestHardy CoulterSam Jackson Jr.Ernie
William PhippsHicks
Stephen JoyceMurray
John HambrickGordonA woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
When wild horse Emma (Trixie the Horse) keeps opening the gates and freeing horses, ranch owner Molly (Molly Malone) hires Jimmie (Jimmie Adams) to deal with the problem. When he tames Emma, however, jealous ranch hands tie him up and kidnap Molly, so it's Emma to the rescue!
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Isolated after the death of her abolitionist husband, pioneer woman Joan must decide if she'll help Martha, a former slave fleeing for her life, along the Underground Railroad. As Martha forces Joan's hand, they make their way North, leaving behind bodies in their wake.
When a quirky but deadly outlaw returns to town, it's up to a masked hero to gather a group of misfits to save the townspeople from the wrath of Todd.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
Among the crosses of an old cemetery, two outlaws have a dispute over honour, companionship and greed.
The hero befriends a young school teacher, who adopts a child at his suggestion. The real father of the child, who neglected its mother and allowed her to die, tries to make the teacher believe the hero is its father, which brings about an interesting complication.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
The Pony Express was one of the most legendary of the frontier trails in the American West. Riding for the Pony Express was a dangerous job. No one has an exact amount of riders that lost their life while delivering the mail. This short film was filmed on the actual Pony Express trail used over 150 years ago.
Two figures encounter one another in an alleyway.
A cowboy mediator seeks to resolve a dispute between a boy and an indian.
The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
