Top billed cast
- Loic Blondiaux
- Yves Sintomer
Jean-Paul Jouary- Jacques testard
- Bernard Manin
- Etienne Chouard
- Hervé Kempf
Similar to J'ai pas voté
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22 year-old Jade graduated with a degree in Fashion from Manchester Metropolitan University in the summer of 2015. But rather than work in the world of fashion, Jade - aka Carly Rae Summers - has decided to pursue a career in porn. This film follows Jade as she embarks on her new full-time career, travelling to shoots in London, Barcelona and Prague, and explores the practical and ethical issues that surround a young female porn star in Britain today. Why would a well-educated young woman with a range of career options choose to pursue a career in porn?
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Disgraced Monuments (1994)
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
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George Carlin: Life Is Worth Losing (2005)
Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.
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America: Freedom to Fascism (2006)
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.