Examination of the international social, political and musical impact of radio station CKLW during the 1960s and 70s. CKLW was the sonic mirror of Windsor's sister city, separated by a half mile of dirty Detroit River water – reflecting excitement, soul, creativity – and bloody murder.
Michael McNamaraSelf - Narrator (voice)
Three sisters start out singing in their church choir in Harlem in the late 1950s and become a successful girl group in the 1960s.
An usher at a radio station studio pretends to be an executive at the station in order to help a pretty girl become a singer.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.
The history and enduring legacy of one of the world's biggest and most influential radio stations.
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.
A dramatization to promote the Territorial Army.
Mark Hunter, a lonely high school student, uses his shortwave radio to moonlight as the popular pirate DJ "Hard Harry." When his show gets blamed for a teen committing suicide, the students clash with high school faculty and the authorities.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Determined to become a radio singer, a young girl runs away from her family. She hooks up with a man who is actually the real voice of a famous radio crooner, who actually can't sing at all.
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
It’s This American Life’s wildest, most ambitious live show ever! Nearly 50 actors, singers, dancers, musicians and comedians joined Ira Glass onstage at the Brooklyn Academy of Music's Opera House on June 7th, 2014 to try some things they'd never tried before. The result? Journalism turned into opera, into plays, into a Broadway musical. Comedy from Mike Birbiglia, and SNL’s Sasheer Zamata. Songs from Stephin Merritt of the Magnetic Fields. Dance from Monica Bill Barnes & Company.
Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.
The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.
When a popular radio singer is knocked unconscious during a robbery, a squeaky-voiced college boy fills in for him. To everyone's amazement, especially his recent girlfriend, who just broke up with him, he becomes an overnight sensation.
Siméon Malec, host on Pakueshikan FM radio, receives Marie-Soleil Bellefleur on the air to discuss new regulations concerning salmon nets. To their great dismay, the duo is constantly interrupted by increasingly worrying calls... It seems that a lion has been seen in the community!
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.
The unforgettable R&B soul diva shows her incredible range with hits like “Nowhere to Run,” “Jimmy Mack,” “Heatwave,” and others.
The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.