Brise-glace : Bateau givre (1987)
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
Scientists demonstrate the wonders of magnified objects.
Shot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
An overview of the art collection of Richard Winther.
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF
An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive qualities of the cinematic apparatus.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
A silent succession of black-and-white photographs of the city of Montreal.
An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
A short film about the meeting of a Trappist monk and a Zen Buddhist master.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.