
Midnight Ramble (1994)
A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".
A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
RICHARD WRIGHT was an African-American author of novels, short stories and non-fiction that dealt with powerful themes and controversial topics. Much of his works concerned racial themes that helped redefine discussions of race relations in America in the mid-20th century. Born on a plantation in Mississippi, Wright was a descendent of the first slaves who arrived in Jamestown Massachusetts. This program follows his arduous path from sharecropper to literary giant. Through authors like H.L. Menken, Sinclair Lewis, Theodore Dreiser, he discovered that literature could be used as a catalyst for social change. In 1937 Wright moved to New York and his work began to garner national attention for it's political and social commentary. Much of Wright's writing focused on the African American community and experience; his novel Native Son won him a Guggenheim Fellowship and was adapted to the Broadway stage with Orson Welles directing in 1941.
THE BLACK LIST: VOL. 2 profiles some of today's most fascinating African-Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.
The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.
Documentary film interviews leading African Americans on race, identity, and achievement.
As a new chapter begins in this country, THE BLACK LIST offers a dynamic and never-before-heard perspective from achievers of color. This series of inspired - and inspiring - observations on African-American life in the 21st century forms a roll call of some of the most compelling politicians, writers, thinkers and performers ever to tackle their fields of endeavor. Watch the interview-portraits and get a sharper snapshot of where this country has been and where it's headed.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.
Six young black men from Akron, Ohio, enter college, determined to redefine society's images and low expectations. Despite their confidence, the stark reality of being away from home brings a series of crises. Well trained in critical and metaphorical thinking, and unusually articulate about their inner lives, each of the protagonists guides us to his core. Since sixth grade, they have been part of an innovative mentoring program called 'Alchemy, Inc.' that uses mythological stories, drumming and writing. In the twice-yearly reunion workshops everyone speaks of his trials and his triumphs with authenticity, intelligence, honesty and heart. In turns quiet, thoughtful and exuberant, the six protagonists grow before our eyes, whether navigating racial provocations, or seeking support with new friends, estranged fathers and wise grandmothers.
Soul On Ice: Past, Present, and Future is a film that presents and retells the unknown contributions of black athletes in ice hockey. For untold decades, hockey was seen as a homogeneous sport, exciting to watch but played by one kind of player. But people deserve to now know of the exploits of athletes who dared to stand out, and dared to make the sport their own. These Black athletes dared to give their sport soul.
Gripping, heartbreaking, and ultimately hopeful, Waiting for Superman is an impassioned indictment of the American school system from An Inconvenient Truth director Davis Guggenheim.
An exploration of the history of the word throughout its inception to present day. Woven into the narrative are poetry, music, and commentary from celebrities about their personal experiences with the word and their viewpoints. Each perspective is unique, as is each experience... some are much more comfortable with the word than others.
About the creative career of People's Artist of the USSR N.K. Cherkasov. The film uses footage from movies of the 1920s and 1930s.
Documentary film on events that happened on August 28th in African-American history, shown at the Smithsonian African-American History Museum.
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
When the Civil War ended in 1865, more than four million slaves were set free. Over 70 years later, the memories of some 2,000 slave-era survivors were transcribed and preserved by the Library of Congress. These first-person anecdotes, ranging from the brutal to the bittersweet, have been brought to vivid life in this unique HBO documentary special, featuring the on-camera voices of over a dozen top African-American actors.
Ossie Davis, Terry McMillan, Horace Julian Bond, Isaac Hayes, Dionne Warwick and many others share their inspiring stories of success in the first installment of this series about African-American history makers, including civil rights leaders, actors and authors. A good education, dedication to work, dogged determination and the courage to take risks figure prominently in these remarkable success stories told by notable African Americans.