Billy Budd (1966)
A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?
Top billed cast
Peter PearsCaptain Vere
Peter GlossopBilly Budd- Michael LangdonJohn Claggart
- John Shirley-QuirkMr. Redburn
- Bryan Drake
David Kelly
Kenneth MacDonald- David Bowman
- Dennis Wicks
- Robert Tear
Similar to Billy Budd
Naharak saeed (1955)
The son of a wealthy man wants to be a musician but his father, the factory owner, objects and kicks him out. When his father announces a competition for the name of a new soap, his son wins the prize and has enough money to finance the theater of his dreams and he becomes famous for his shows.
Beethoven: Fidelio (2020)
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime.
Rigoletto (1994)
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.
Strauss II: Die Fledermaus (2003)
Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.
ُُThe Student and the Teacher (1968)
Salwa who enters an institution because of a crime she committed, falls in love with her music teacher Waheed
The Metropolitan Opera: The Magic Flute (2017)
Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.
The Metropolitan Opera: Idomeneo (2017)
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
La Traviata (2001)
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
Rossini: La Cenerentola (2001)
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
Puccini: Gianni Schicchi (2004)
Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
Carmen (1934)
Silhouette film. Based on Bizet’s opera “Carmen”.
Madama Butterfly (1986)
Opera at La Scala Milan
Child For rent (1953)
(Zaatar) works with (Mulabbasa) in the acting troupe managed by (Jawhar). When (Jawhar) learns about the story of (Nagati Pasha's) son who disappeared twenty years ago and has not been found, (Jawhar) offers (Zaatar) to impersonate the son, and Zaatar in turn enjoys a life of luxury with (Nagati Pasha's) family, but he soon learns that (Hiam's) fiancé, (Nagati Pasha's) daughter, is embezzling the Pasha's money, and Zaatar feels guilty over time about what he is doing to this family.
Giovanna D'Arco (2016)
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
Hard Labor Hotel (1969)
Al-Soul Maslehi (Samir Ghanem) runs a prison, and his father-in-law (Zakaria Mawafi) offers to rent prison cells as hotel rooms so that he can consummate his marriage to his fiancée (Nora).
Puccini: Turandot (2009)
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Nour al-Din and the Three Sailors (1944)
Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule
Dananeir (1940)
A concubine to a ruling family is challenged when the family is overthrown.
Tosca (1941)
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.
Fidelio (2020)
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.