Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Similar to Aridity Enclosure 1
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Highlights (2017)
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Roadz2Home (2017)
3 minute experimental film.
The Twenty-One Lives of Billy The Kid (2005)
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Entrance to the Grand Burial Chamber (2017)
1 minute experimental film.
38/79: Sentimental Punk (1979)
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Moonwalker (1988)
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
Hjärtat brinner (1967)
A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.
Sweet-Smelling Movie: Be a Light to the World (2016)
A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia
Remind Me Why I Came Here (2017)
It's time the times met each other over & over.
Kinda Cool to Expend This Much Drool (2017)
Don't ask me why, but I feel we're about to cry trying.
Ruminative Meditations (2017)
Say Om as you reach home only to realize you never really left/stopped saying Om.
Beatles Electroniques (1969)
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
welcome_home.exe (2021)
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
Almost Anything (2017)
Centrist revelations abound among repetitions & revisitings.
All Those Things (2017)
Something I know or something I was told? When something scalding translates something to behold.
What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.
Hope This Goes Over Well/Living in an Empty World (2017)
I really hope this is well-received. I really hope there's some sort of reprieve.
Firing Flares @ Unnoticed Glares (2017)
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Leafing You Behind (2017)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).