Remind Me Why I Came Here (2017)
It's time the times met each other over & over.
Similar to Remind Me Why I Came Here
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Shirking; Shrieking Specter (2017)
Still it's really tall. Still it's really floundering/falling/fading.
Questioning, Requesting (2017)
Strings together what's strung together (please use yr tether).
Revisited Remunerations Rapturously Collapse When Recompensed (2017)
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Kinda Cool to Expend This Much Drool (2017)
Don't ask me why, but I feel we're about to cry trying.
Ruminative Meditations (2017)
Say Om as you reach home only to realize you never really left/stopped saying Om.
Leafing You Behind (2017)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)
Hiding inside&out, writhing about, taken out&in.
Almost Anything (2017)
Centrist revelations abound among repetitions & revisitings.
No Impersonator , Perpetrator (2017)
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Always Aching & Bending Back (2017)
Slowed, stowed, achingly retold.
Every Ambulation a Betrayal (2017)
Return to 'burn' only to find out you're already in that urn.
Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
This Cacophony Runs Over Me (2017)
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Calypso (1955)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
The Astronaut (2017)
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
Metaphysics of Sound (2008)
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.
How I See Sunsets (2017)
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.