Shirking; Shrieking Specter (2017)
Still it's really tall. Still it's really floundering/falling/fading.
Similar to Shirking; Shrieking Specter
60 Seconds of Solitude in Year Zero (2011)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)
Hiding inside&out, writhing about, taken out&in.
This Cacophony Runs Over Me (2017)
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Questioning, Requesting (2017)
Strings together what's strung together (please use yr tether).
Revisited Remunerations Rapturously Collapse When Recompensed (2017)
Your raging romp results only in rescinded regret @ the hands of radder cadets.
What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.
Every Ambulation a Betrayal (2017)
Return to 'burn' only to find out you're already in that urn.
We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go (2017)
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Remind Me Why I Came Here (2017)
It's time the times met each other over & over.
Kinda Cool to Expend This Much Drool (2017)
Don't ask me why, but I feel we're about to cry trying.
Leafing You Behind (2017)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Almost Anything (2017)
Centrist revelations abound among repetitions & revisitings.
No Impersonator , Perpetrator (2017)
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Always Aching & Bending Back (2017)
Slowed, stowed, achingly retold.
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Frozen Image (1965)
A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.
HSP: There Is No Escape from the Terrors Of the Mind (2013)
There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”
Global Groove (1973)
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.