Television program featuring a video tribute to the Wichita, KS band The Embarrassment including rare videos, some of which have never been released to the public before with Bill Goffrier, John Nichols, Ron Klaus & Brent Woody Geissmann.
Bill GoffrierSelfJohn NicholsSelfRon KlausSelfBrent GiessmannSelf
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
B'Day Anthology Video Album is the first video album by American recording artist Beyoncé. It features thirteen music videos for songs from her second studio album, B'Day and its deluxe re-release. Beyoncé shot nine videos for the album, and four pre-filmed videos were also included. B'Day Anthology Video Album debuted at number twenty-four on the US Top Music Videos chart dated April 28, 2007. It was certified double platinum by the Recording Industry Association of America (RIAA) on October 3, 2007, denoting the shipments of 200,000 copies.
A documentary that explores the challenges that a life in music can bring.
At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.
'Tales of Us' the film, is a thirty minute journey through five individual stories, each one based on a song from the new Goldfrapp album 'Tales of Us'. Stranger, Laurel, Jo, Drew and Annabel interconnect subtly, sharing themes of love, loss, madness, passion and identity.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
A collection of music videos from 1986-1990 from the trio based in Miami - Exposé. The songs on this video are taken from Exposé's first two albums and features outtakes and interviews with Jeanette, Ann & Gioia. 1. Come Go With Me 2. Point Of No Return 3. Let Me Be The One 4. Seasons Change 5. What You Don't Know 6. When I Looked At Him 7. Tell Me Why 8. Your Baby Never Looked Good In Blue
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
Recorded live at the Camden Palace for the UK TV show "Live From London" which is advertised in the beginning segment of the video.
The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.
The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship
Experience South Korea’s iconic NORAEBANG culture in cinemas! Unleash your inner pop star and belt out your favorite HYBE hits from BTS, SEVENTEEN, TOMORROW X TOGETHER, ENHYPEN, LE SSERAFIM, &TEAM, BOYNEXTDOOR, TWS, ILLIT and KATSEYE like never before at this singalong event in cinemas!
Live performance from British rock band Deep Purple recorded at the California Jam festival at the Ontario Motor Speedway in April 1974. Playing to a crowd of over 200,000 people, the band perform hits including 'Smoke On the Water', 'Might Just Take Your Life' and 'Burn'.
The history of legendary rock band Chicago is chronicled from their inception in 1967 all the way to the present.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
Noir rock hits ACL with Nick Cave & The Bad Seeds. The Australian group’s set ranges across their 30-year career, from their first album to their latest Push the Sky Away.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.