This film, photographed and edited by Les Blank, produced and directed by Pieter Van Deusen, documents a spontaneously improvised concert by musician Christopher Tree. With his one-man orchestra, including 40 Tibetan temple gongs, flutes, tympani and wind chimes, Christopher Tree whirls and weaves his sound tapestry within a pristine forest. Preserved by the Academy Film Archive in 2013.
Christopher TreeHimselfDocumentary short preserved by the Academy Film Archive in 2012.
A behind-the-scenes look at the responsibilities of the cinematographer. Preserved by the Academy Film Archive in 2012.
Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art Linkletter Show.
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.
Documentary short detailing the American soldier's part in preserving the fundamental ideals of this nation. Preserved by the Academy Film Archive in 2012.
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Inspirational documentary short film featuring Hollywood stars promoting the sales of War Bonds through songs and skits. Preserved by the Academy Film Archive.
Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
The acclaimed poet is examined in this film completed just prior to his death at age 88, with his speaking engagements at Amherst and Sarah Lawrence Colleges intercut with studies of his work, as well as with scenes of his life in rural Vermont and personal reminiscences about his career. He is also seen receiving an award from President Kennedy and touring an aircraft carrier. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2006.
Who Are the DeBolts? And Where Did They Get Nineteen Kids? is a 1977 documentary film about Dorothy and Bob DeBolt, an American couple who adopted 14 children [12 at the start of filming], some of whom are severely disabled war orphans -- in addition to raising Dorothy's five biological children and Bob's biological daughter. The film won an Academy Award for Best Documentary in 1978. Preserved by the Academy Film Archive in 2007.
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.
Experimental film woven around a poem about Chicano culture in the U.S. Preserved by the Academy Film Archive in 2017.
A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term. Preserved by the Academy Film Archive in 2007.
Another short documentary of "Real Food, Roots Music, and People Full of Passion for what they do!", Spend It All is Les Blank's spirited look at the French-speaking Cajun community of southwest Louisiana. Preserved by the Academy Film Archive in 2013.