Dream Journal, May 2016-February 2017 (2017)
Experimental narrative animation using hobbyist 3D animation and inspired by niche genres of computer-generated erotica.
Similar to Dream Journal, May 2016-February 2017
La Maison en Petits Cubes (2008)
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
60 Seconds of Solitude in Year Zero (2011)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Photodiary '87 (1987)
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
Madhouse Mitchel (2017)
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
It's Such a Beautiful Day (2012)
Bill struggles to put together his shattered psyche.
Banner of Youth (1957)
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
Sounds Good (2019)
A boom operator attempts to record the noise mushrooms make in this semi-experimental animation inspired by the world of sounds.
Anoche (2017)
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
The Match (1987)
Krešimir Zimonić's take on the underlying nature of a hard-fought soccer game.
Prometheus' Garden (1987)
Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.
A Fugue (2019)
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Calypso (1955)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
Bath House of Whales (2019)
Mizuki Kiyama's short animation utilizes a paint on glass technique to render a young girl's visit to a neighborhood sento (bath house) with her mother with dazzling sensuous wonder. Evoking childish fascination at daily rituals, this quotidian act amidst feminine intimacy becomes a space of otherworldly fantasy.
Mis-Takes (1972)
A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.
Affinities (1972)
A ballet of squares and octagons in many forms, exhibiting a variety of geometric and sometimes sensuous interactions.
Scanning of Modulations (2001)
Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
Tales of a Street Corner (1962)
The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.
Genesis (1968)
The creation of Earth and Mankind. And how God changed his mind.
La Señal Cósmica (2018)
The film was produced applying mixed techniques on Super 8 film support.