Karikpo Pipeline (2015)
The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta.
Similar to Karikpo Pipeline
Re-enactment (2000)
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
Memorial (2022)
A memorial mourns as time passes
Gulpilil: One Red Blood (2002)
An hour-long documentary on the life and career of actor David Gulpilil.
When Pride Becomes Prejudice
A short documentary immersing you in the intimacy and harsh reality of young LGBTQ+ artists, working in Los Angeles in the midst of the glamorous neighborhood of West Hollywood.
Leon (2023)
A biographical documentary about performer Leon Dziemaszkiewicz, where artistic creation, the passing of time and coping of loss blend over the death of his loved one, the famous fashion designer Thierry Mugler.
Between Science and Garbage (2004)
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
I Am Scared As Hell (2022)
Experimental video art shot in the Wallingford neighborhood of Seattle
Dancing with Myself (2007)
Documentary film about three people in the Berlin disco, club and dance scene who want to overcome the deficits of their everyday lives, at least for a few hours, with their self-forgetful leisure activities. Captured in melancholy atmospheric images, it also deals with unemployment, fear of the future and loneliness.
Carmencita (1894)
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Front Row (2024)
Bertolt Brecht asked whether there would be singing in the dark times. In the throes of war, the United Ukrainian Ballet Company defiantly insists there will be dancing, too. Far from the land they call home, young dancers take quiet comfort from art. For a while, their work feels like the old days, except there is a new troupe member: a soldier learning to dance with prosthetic legs.
Kill Your TV: Jim Moir’s Weird World of Video Art (2019)
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
Bumpa (2025)
This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.
Britney: For the Record (2008)
An introspective documentary which chronicles pop music queen Britney Spears' return to the spotlight after her much-publicized professional and personal struggles. Honest, raw and revealing, the one-hour special shares some of Spears' most intimate moments in the span of 60 days, and gives fans an inside look at Britney in the recording studio and on set filming the music videos for one of music's most triumphant comebacks.
FUCK TV (2019)
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
Moving Together (2023)
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
Guadalcanal Requiem (1977)
One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.
Obsessed with Light (2023)
Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.
Projections (1993)
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
Some Body Comes Into the Light (2023)
A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.
Wintopia (2019)
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.