
Brassens by Brassens (2020)
An intimate portrait of Georges Brassens, giant of French song.

An intimate portrait of Georges Brassens, giant of French song.
Georges BrassensSelf (archive footage)
Sandrine KiberlainNarrator (voice)
Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
The complete, true story of Patsy Cline's brilliant rise to stardom and her tragic death at the pinnacle of her career. This unique video biography features rare and classic performances; Patsy's hit songs, such as Crazy, I Fall To Pieces and more.

Ninja is famous around the world for her fierce ballroom performances, but she is not as well-known in her native country of French Guyana. But a trip home to teach a workshop might change that.

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.
A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, monuments and time. Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
The documentary relates how in the second half of the 20th century the agent Berthold Barluschke was first a henchman of the State Security Service of the GDR and then of the West German Federal Intelligence Service.
This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

The man behind the legend and a knowing look at 1950s Hollywood are revealed in this dynamic biopic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without a Cause and Giant.


The Shadows long and influential career has spanned 6 decades, with hit singles or albums in every one of them. Hank Marvin's guitar playing has been an inspiration to hordes of guitarists down the years, including the likes of Brian May, Eric Clapton and Pete Townshend. Over a decade since their last tour, Hank Marvin, Bruce Welch and Brian Bennett

'The Final RIOT!' is a live CD and DVD that documents the band in their most intimate moments on tour. On top of the all access documentary footage, an entire 15 song live set was filmed at the Chicago stop of The Final RIOT! Tour, for what the band has called their 'best show ever.' Join millions of Paramore fans around the world as they experience 'The Final RIOT!'

A look into the hard working heart of neo-burlesque.

Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. Live at Montreux 2000 is a concert, released in 2005 by Eagle Vision. Reed performed eight songs from the Album Ecstasy plus a few older ones. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class.
Finland has long been the promised land for long hair and heavy rock music, however jazz has it’s own place here too! Then again maybe jazz is just the general name we give to music we can’t quite classify. And the original soundscapes brought forth by guitarist Heikki Ruokangas are just that; hard to classify. In Ruokangas’ creations, elements of jazz meld together with the strums and tweaks of modern classic guitars to create an aggressive medley of sound. The end result is a skillful and intense break from traditional guitar song.

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
Pure Comedy is a black and white document of the live tracking of Pure Comedy, as well as a surreal look into Tillman's writing process. A six person crew, complete with cranes in the tracking rooms, captured every moment of the recording, giving the viewer intimate audience to actual album takes, including the one and only 2:00am performance of the 13-minute "Leaving LA."