Similar to Calangros: Um faroeste sobre o terceiro mundo
Grand Entrance to the World of the Dead (2017)
Radical recurrences & rancorous requests raze my daze.
I Might Be There (I Won't) (2017)
Onward, upward, greener [redder] grasstures.
6-18-67 (1967)
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Russia as a dream (2017)
In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.
Sebastian and Jonas Leaving the Party (2019)
"My last image of Jonas."—Ken Jacobs
What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.
Thot-Fal'N (1978)
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Firing Flares @ Unnoticed Glares (2017)
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
60 Seconds of Solitude in Year Zero (2011)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Congo (1972)
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
No(thing) Staring Back (2017)
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Every Wall is a Door (2017)
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
PLEH (2017)
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)
Hiding inside&out, writhing about, taken out&in.
Leonora Carrington or The Ironic Spell (1965)
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
Chinese Viola (1975)
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Letter in Motion to Gilles Jacob and Thierry Fremaux (2014)
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
Every Ambulation a Betrayal (2017)
Return to 'burn' only to find out you're already in that urn.
We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go (2017)
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.