This documentary is about the artistic trajectory of Edvaldo Souza, aka Edy star, the flamboyant gay singer, actor, dancer, theatrical producer, performer, visual artist and the last of the Kavernistas alive. The script mixes the memories of artists, friends and Edy himself, meeting in a studio with the singer and composer Zeca Baleiro.
Edy StarSelf
Zeca BaleiroSelf
Caetano VelosoSelf
Cláudia CelesteSelfWaldir SerrãoSelf
RogériaSelfLeda LúciaSelfRubens Lima JuniorSelfLuiz GarciaSelfJane di CastroSelf30 years in the making, the film Jan Terri: No Rules tells the story of an irrepressible, and often delightfully perplexing personality. As a child, Jan would dance and sing for anyone who would listen. As a teenager, she began writing and performing her own songs. After earning her BA in Arts and Entertainment Management, she continued making music while working full-time as a limo driver. The income from that job allowed her to hire a studio as well as a videographer to help her make her unorthodox DIY music videos and distributing them on VHS tape. Without her knowledge, her videos made their way to the nascent YouTube. The fact that her most popular YouTube video was given the title “Worst Music Video Ever” didn’t dampen her spirit. Her fanbase grew to include such luminaries as Marilyn Manson and Cynthia Plaster Caster. Over the years, Jan’s independent spirit attracted many collaborators who’ve helped bring her vision to life.
A journey between the sacred and profane in which the Femminielli, an ancient non-binary Neapolitan figure, fight for their survival against the globalizing tides of modernity.
When his older boyfriend loses interest in him, the filmmaker relocates to Chicago and uses dating apps to cast new lovers in an amorphous project that his mother hates.
Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.
Deep Brazil. Between drifting through a city in the interior of Mato Grosso on the banks of the BR-163, we follow moments of the routine of Ana Rúbia, who is preparing for the launch of the book “School Memories of Travestis”.
A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?
GUDISAI is an inspiring indie musical documentary that chronicles the vibrant journey of aspiring artists in the open mic scene. Set against the backdrop of Chennai's thriving music culture, the film captures heartfelt performances, personal struggles, and the transformative power of creativity. Through a series of candid interviews and electrifying live sessions, GUDISAI showcases the resilience and passion of musicians as they navigate their paths from rejection to success, highlighting the importance of community, art, and self-expression. Join us in celebrating the raw talent and unwavering spirit of indie artists as they take the stage and share their stories.
These men are undergoing a crucial stage of self-discovery, but for better or worse - they will not go through it alone. A selection of 6 shorts about the complexities of gay and male sexuality. Includes: Along the Road [Längs vägen] (2011); Drives [Pulsiones] (2009); Frozen Princess [Princesa de hielo] (2017); Naked [Desnudos] (2013); Swimming Pool [Piscina] (2017); Visibles (2018).
An Episcopal minister. 41 naval recruits. A zealous newspaper editor. A pandemic. A drag show. A beanstalk. The YMCA. A future president of the United States. This multiple screen installation looks at the 1919 Newport Sex Scandal.
Welcome to a different kind of drag race! As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics – one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?
THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.
Serviced explores touch based service businesses including cuddling, erotic massage, sex surrogacy and sex work. Meet the men who have foregone the 9-5 grind or are adding on a side-hustle service-based job. From cuddling to sex work we're looking at the world's oldest profession with eyes wide open.
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
After the road to success shown in the first chapter, "BINI Chapter 2: Here With You" explores BINI's regional tour and their encounters with Blooms across the Philippines.
Interviews and performance footage are used to provide an overview of the women's music scene.
A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.