Top billed cast
Anna LisyanskayaAgrafena Savvishna
Vitali PolitseymakoIvan Samsonovich- Lavrenti Yaroshenkodyakon
- Vladimir Ulyanovpovar
Nikolay Trofimovzhenih-grobovschik
Valentina Savelevaгостья
Similar to Женихи и Ножи
Offenbach: Barbe-Bleue (2019)
Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.
Under the Roofs of Montmartre (1975)
A story of three struggling artists: a painter, a poet, and a composer, living in a bohemian Montmartre district of Paris. They help a poor flower girl, Violette, to find shelter, when she is thrown out by her landlord.
Babes in Toyland (1954)
Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this live television special became an annual Christmas tradition with rotating cast members.
Females At Play (1945)
A musical comedy about Kalle Svensson, a sergeant in the navy, and his loved one Nanette Raquette who works as a gymnastics teacher.
Ruddigore (1967)
The Baronet of Ruddigore, Sir Despard Murgatroyd, has inherited a family curse which forces him to commit a crime every day — or die in agony. He hates the curse, doing his heinous misdeeds as early as possible and good works for the rest of the day to compensate!
The Desert Song (1955)
Live television version of the classic musical.
The Knight of the Rose (1925)
The story: While her husband is becoming famous in the war, the marshal of Werdenberg's wife consoles herself in the arms of the youngster Octavian and tries to arrange the love affairs of her cousin, the baron Ochs, by presenting him to young Sophie. This baron is taken with her and the Marschallin proposes Octavian to be his "Rosenkavalier" in order to present the traditional silver rose to his fiancée. But youngsters are youngsters and sex hormones hold sway over the whole world so for that reason immediately Octavian and Sophie fall in love with each other…
Die Fledermaus (1990)
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
Bluebeard (1984)
When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
Die Fledermaus (1972)
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.
Call of the Flesh (1930)
A postulant falls in love with a flamboyant singer from a cafe next door to her convent.
Orpheus in the Underworld (1974)
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.