
My Best Fiend (1999)
A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.
A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Hour long documentary on the legendary director.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Pixar director Peter Sohn takes viewers on a humorous personal journey through the inspiration behind Disney and Pixar’s feature film “Elemental.” “Good Chemistry: The Story of Elemental” traces his parents’ voyage from Korea to New York, explores his dad’s former grocery shop in the heart of the Bronx, and delves into his choice of a career in animation, rather than the family business.
A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
A detailed account of the life and artistic career of legendary filmmaker Quentin Tarantino, from his early days as a video club manager to the scandalous fall in disgrace of producer Harvey Weinstein. A story about how to shoot eight great movies and become an icon of modern pop culture.
A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
The story of the cult horror empire through interviews with cast, crew, and horror icons such as Don Mancini, Brad Dourif, Jennifer Tilly, Catherine Hicks, Chris Sarandon, John Waters, Fiona Dourif, Perrey Reeves, Gerrit Graham, David Kirschner, and dozens more.
An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.
Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.