Knock Down (1975)
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
A Romany woman travels from Praha to her home in Transylvania
A beast at sea yearns for more.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

On a golden afternoon, wildly curious young Alice tumbles into the burrow and enters the merry, madcap world of Wonderland full of whimsical escapades.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Koji Yamamura's allegory the immutability of time, love and devotion, and the unbreakable nature of the parent-child bond, into interlacing story.

A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.
American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.
Tired of everyday monotony, a simple girl finds herself in an alternative universe. In the urban scenery of a music video from the 80s, she will try to breathe life into a world mired in routine.

An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
Based on the Chilean "Riot Dog" Negro Matapacos. A stray dog meets young protester María. Together they radicalize until María has to go to jail. When she gets out her courage has left. But then finds out that the dog got famous during the protests.

The Hypergaussian War is an AI-generated feature film in which forgotten video game avatars from past eras rise to fight an endless, algorithmic war. Obsolete 8-bit warriors, polygonal relics, and motion-captured ghosts clash across surreal landscapes that merge the logic of digital combat with the haunting depth of 16th-century Flemish painting. Each battle unfolds within hybrid architectures—half cathedral, half code—where pixels and brushstrokes coexist in luminous chaos. The film charts the evolution of game aesthetics, from pixelated minimalism to photorealistic excess, transforming visual history into a battlefield of memory and computation. Both elegy and spectacle, The Hypergaussian War reflects on obsolescence, artificial intelligence, and the endless recursion of images seeking meaning in their own destruction.

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

From the wall of a small town bakery, a cuckoo clock recounts a day where bread was sliced one second thick, lovers fell in sync and time rarely flowed at an even rate.