
The Unemployed (1968)
SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.
The UN estimates street children worldwide at 150 million. In Latin America, they are 40 million. In Brazil, street boys and girls felt so enchanted by a camera that they took it as their own to express themselves and fight the silence.

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Director invites six homeless men to his flat for a few days (surprising his wife). He asks officials and people on the street if someone can help them, this being SFRJ, a state officially without those left on their own.

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

An inspiring feature documentary film about overcoming homelessness and addiction in the City of Los Angeles.

As Rose City grapples with continued vandalism and homelessness, businesses are hurting and boarded up amid a global pandemic. What can be done to bring Portland back?

A journey among the forgotten: U.S. citizens experiencing homelessness, forced to live in extreme marginalization. Giving voice to these wounded souls is the unmistakable sound of Tom Waits.
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
The Idle Ones is a profile of contemporary affairs - somewhere on the edge of Europe - in a place where unemployment for some young people is fast becoming a way of life. Covering a period of 18 months, the film follows the activities of a group of young men in their 20s who have finished their schooling and stayed in their home village - they loaf about unemployed since they can´t find any work in the remote district. The main characters are more or less idle young fellows whose stories link together and make up the film. Tinged with humour, The Idle Ones is a story about frustrated but vital young people in a period of transition, waiting for something to happen. For some, the waiting is becoming their life.