
Gold Strike (1950)
Musical western short
Musical western short
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
Stick-figure animation makes for a witty genre send-up of the Western.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.
Donald is vacationing at a dude ranch. After all the beautiful women pick the best horses, Donald ends up with the sad sack Rover Boy. But Rover Boy wants nothing to do with Donald.
Yosemite Sam tries to force Bugs Bunny to do a high-diving act when the regular act cancels.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
A young boy dreams of being a cowboy. After he gets the basics, as outlined in the title song, he's attacked by Indians. He runs out of bullets and manages to lasso them. He smokes the peace pipe with their chief. A robber is holding up a stagecoach and he rides to the rescue, refusing the reward. He also saves a train from a dynamited bridge, and a girl tied to a cactus, before riding into the sunset (and back to his suburban bed).
A young Navajo man performs a ritual related to the moon.
A group of women band together as they go to war against a pack of men who have done them wrong at every turn.
Aftermath was the pilot for an unsold TV series called "The Code of Jonathan West"; it aired as part of The General Electric Theater. The film takes place just after the Civil War, in a small southern town – war-ravaged, impoverished, and seething with hatred and resentment.
Off a lonely Texas highway, a group of hustlers prey on the desperados who have come for sex, drugs and Mommas special milk. When a murderous cowboy rolls into town, a young trans boy quickly sees an opportunity to feed the physical and emotional hunger that has long been ignored by the neglectful Momma. As the boys begin to fall one by one, Penny is caught between the Cowboys lustful rage, and the greed and corruption that Momma represents.