Voyeur (2017)
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
Similar to Voyeur
The Dawn of Sound: How Movies Learned to Talk (2007)
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
Nanook of the North (1922)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Berlin: Symphony of a Great City (1927)
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Carmencita (1894)
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Man with a Movie Camera (1929)
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
How the Telephone Talks (1919)
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
Men Boxing (1891)
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Traffic Crossing Leeds Bridge (1888)
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Days of Thrills and Laughter (1961)
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Chang: A Drama of the Wilderness (1927)
Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.
Buster Keaton: The Genius Destroyed by Hollywood (2016)
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
Accordion Player (1888)
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Divers at Work on the Wreck of the "Maine" (1898)
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Häxan (1922)
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
À propos de Nice (1930)
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
Murnau, Borzage and Fox (2008)
Documentary focusing on the film careers F.W. Murnau, Frank Borzage and William Fox and their impact on the history of cinema.
Manhatta (1921)
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
Passage of Venus (1874)
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
Demolition of a Wall (1896)
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.