Bataille pour l'âme du Québec (2022)
This documentary tells the story of Quebec nationalism from the late 1960s to the present and how this nationalism has gradually transformed from progressive to a much more conservative streak.
Top billed cast
Louise BeaudoinSelf- Jacques BeaucheminSelf
- Pierre AnctilSelf
Émile BilodeauSelf
Gérard BouchardSelf
Françoise DavidSelf
Manal DrissiSelf- Christophe JbeiliSelf
- Maryse PotvinSelf
Similar to Bataille pour l'âme du Québec
Resistance: Police Against the Wall (2020)
The new Longueuil police chief, Fady Dagher, is aware of the challenges he faces. Well positioned for the next five years, he intends to make great changes within this institution. This documentary is an intimate portrait of a man, a vision and an environment into which cameras do not often have access.
The Morin's Method (2005)
On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.
Quebec in Summertime (1949)
This Traveltalk series short takes the viewer to Quebec, the city that was called the "New France".
Roger D'Astous (2016)
A documentary about montreal architect Roger D'astous, who battled all his life to create a nordic architecture. Starchitect in the 60s, this Frank L. Wright student then fell from grace before rising again at the dawn of the century.
Quebec: Duplessis and After... (1972)
This film establishes a parallel between the 1970 electoral campaign in Québec and the 1936 campaign dominated by Maurice Duplessis. It shows the hope but also the uncertainty that existed in 1970. Had the Quiet Revolution really changed things in Québec? Was it possible that a new leader would emerge on the political scene? (NFB.ca)
Nanook of the North (1922)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Wow (1970)
In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.
No Address (1988)
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
Beluga Days (1968)
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
A Tent on Mars (2009)
Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.
Les filles c’est pas pareil (1973)
In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
Un pays sans bon sens! (1970)
Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?
Corno (2013)
A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.
My Friend Dino (2016)
After spending 4 years in prison for drug trafficking, Dino tastes fame by interpreting the godfather of the mafia in the TV series Omerta. Now 72 years old, he's preparing for a role that could be his last. Somewhere between reality and fiction, My Friend Dino offers a special access to the universe of this likable anarchist.
A Day in June (1958)
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.